Electroacustic Work

Total 20 works

Orchestral music with electronics(total 1 work)

Transition W. 62d (2022/2025) – 13.5 min ▼
Cat. No. 4.1 | Electroacoustic
Instrumentation: 0 0 0 0 - 0 0 0 0 - 0 - acc, str, elec
Version for accordion, live-triggered electronics (orchestral samples) and string orchestra (2025)
Work Description Work exploring the transition between life and death and the concept of time in relation to the still
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  • •Download score – pdf
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Premiere Has not been premiered

Chamber music with electronics(total 3 works)

Wood on Strings W. 32 (2010) – 6.5 min ▼
Cat. No. 4.2 | Electroacoustic
Instrumentation: 2 vn.va.vc.delays
Original work for string quartet and electronics (2002)
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Work Description Work exploring percussive string textures and mathematical bell patterns, referencing Steve Reich's minimalism and English Change Ringing
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Premiere February 27, 2010 — Messerkvartetten

Change Ringing W. 31 (2009) – 6 min ▼
Cat. No. 4.2 | Electroacoustic
Instrumentation: cl(bcl), vib, hp, fixed media
Scored for clarinet, vibraphone, harp and electronics (pre-recorded string soundfile). Structural flexibility allows for performance as an acoustic trio without the electronics
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Work Description Neoclassical work exploring rhythmic and melodic patterns inspired by traditional bell-ringing techniques, featuring a lush musical atmosphere
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Premiere November 1, 2009 — Adapter

Tempo de Hielo W. 2b (1997/2002) – 11.5 min ▼
Cat. No. 4.2 | Electroacoustic
Instrumentation: cl, vn, cb, elec
Recomposition of Istid (1997). The electronic part, created by Ejnar Kanding, consists of piano chords from the original work and is performed live via a pedal or technician. Alternatively, the electronics can be replaced by piano, synthesizer, or vibraphone
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Work Description Work inspired by the Ice Age and the formation of the Northern European landscape, moving from dense textures in a shared register to a concluding crystalline music of pure harmonics
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Premiere February 15, 2002 — Contemporanea

Solo music with electronics(total 10 works)

Transition W. 62c (2022/2025) – 13.5 min ▼
Cat. No. 4.3 | Electroacoustic
Instrumentation: acc, elec
Version for accordion and live-triggered electronics (orchestral samples) (2025)
Work Description Work exploring the transition between life and death and the concept of time in relation to the still
Program Note, Media & Further Information
Performance Materials
Scores

Premiere Has not been premiered

Concerto Piccolo II W. 67b (2025) – 12 min ▼
Cat. No. 4.3 | Electroacoustic
Instrumentation: acc, elec
Version for accordion and live-triggered electronics (orchestral samples) (2025)
Work Description Electroacustic work exploring slow, expressive music that gradually increases in intensity until Baroque elements break through
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Premiere August 13, 2026 — Bjarke Mogensen

Echoes off Cliffs W. 61 (2021) – 47 min ▼
Cat. No. 4.3 | Electroacoustic
Instrumentation: acc, elec
Original version for accordion and live electronics
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Work Description A large-scale work for accordion and live electronics exploring themes of geological and human time
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Premiere June 2, 2021 — Bjarke Mogensen

The Earth and the Sea W. 56 (2019) – 11.5 min ▼
Cat. No. 4.3 | Electroacoustic
Instrumentation: vc, delays
Original version for cello and live electronics
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Work Description Inspired by a painting by Lundbye, this work for cello and electronics features delay layers and an accelerando ending in a Clara Schumann - based coda
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Premiere September 26, 2019 — Ida Nørholm

Time of Sorrow W. 39b (2012) – 47 min ▼
Cat. No. 4.3 | Electroacoustic
Instrumentation: fl (afl/bfl), elec
Original version for flute and live-triggered electronics (orchestral samples) (2012)
Work Description A meditative sixteen-part journey for flute, delays and sampled orchestra using the Mobile technique to create shifting tonal layers
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Premiere September 9, 2012 — Marianne Leth

Around W. 39 (2011) – 9 min ▼
Cat. No. 4.3 | Electroacoustic
Instrumentation: bfl/afl/fl.delays
Original version for flute and delays requiring bass flute, alto flute, and concert flute
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Work Description A three-part work featuring a rhythmic canon with delay and shifting instruments, creating illusions of multiple voices through complex metric relationships
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Premiere October 30, 2011 — Hélène Navasse

Speed W. 33 (2010) – 11 min ▼
Cat. No. 4.3 | Electroacoustic
Instrumentation: mar, elec
Original version for marimba and nine delays
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Work Description Minimalist work for marimba and nine delays using change-ringing patterns to create whirling figures and inaudible shifts
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Premiere May 15, 2010 — Ars Nova, Malmø

Entity W. 14c (2002) – 7.5 min ▼
Cat. No. 4.3 | Electroacoustic
Instrumentation: vc, elec
Cello version (2002) of the original work for solo violin - can be performed with or without electronics
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Work Description Musical entity in two parts, featuring a passacaglia - like layering of themes followed by a baroque-inspired rhythmic ostinato
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Premiere Has not been premiered

Entity W. 14b (2002) – 7.5 min ▼
Cat. No. 4.3 | Electroacoustic
Instrumentation: va, elec
Viola version (2002) of the original work for solo violin - can be performed with or without electronics
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Work Description Musical entity in two parts, featuring a passacaglia - like layering of themes followed by a baroque-inspired rhythmic ostinato
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Scores

Premiere Has not been premiered

Entity W. 14 (2002) – 7.5 min ▼
Cat. No. 4.3 | Electroacoustic
Instrumentation: vn, elec
Original version for solo violin (2002) - can be performed with or without electronics
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Work Description Musical entity in two parts, featuring a passacaglia - like layering of themes followed by a baroque - inspired rhythmic ostinato
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Performance Materials
Scores

Premiere September 28, 2002 — Christine Pryn

Pure electroacoustic works (fixed media)(total 6 works)

Moto Immoto E-6 (2009) – 11 min ▼
Cat. No. 4.4 | Electroacoustic
Instrumentation: fixed media
Original electroacoustic version
Work Description Electroacustic work exploring motion in the motionless and an irreversible feeling of lost time and sorrow
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Premiere August 30, 2009 — Fixed media

Sorrow E-5 (2006) – 25 min ▼
Cat. No. 4.4 | Electroacoustic
Instrumentation: fixed media
Original version for live-triggered electronics (orchestral samples) (2006)
Work Description Work composed for a Good Friday meditation concert, featuring an atmospheric soundscape created with orchestral samples
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Premiere April 6, 2007 — Fixed media

Slow Movement E-4 (2004) – 31 min ▼
Cat. No. 4.4 | Electroacoustic
Instrumentation: fixed media
Original version for live-triggered electronics (orchestral samples) (2004)
Work Description Work composed for a Good Friday meditation concert, featuring a sorrowfull soundscape created with live-recordings and orchestral samples
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Premiere May 9, 2004 — Fixed media

Salme 22 E-3 (2004) – 8.5 min ▼
Cat. No. 4.4 | Electroacoustic
Instrumentation: fixed media
Original version for 6-channel fixed media (surround) (2004)
Work Description Electroacoustic work exploring the biblical text of Psalm 22 through processed vocal recitations and expressive string layers
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Premiere May 9, 2004 — Fixed media

Vibration in Blue and Yellow II E-2 (2000) – 9.65 min ▼
Cat. No. 4.4 | Electroacoustic
Instrumentation: fixed media
Original version for fixed media (2000)
Work Description Electroacoustic work exploring textures from choral and ensemble recordings, processed into a new soundscape
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Premiere December 15, 2000 — Fixed media

Vibration in Blue and Yellow E-1 (2000) – 10.5 min ▼
Cat. No. 4.4 | Electroacoustic
Instrumentation: fixed media
Original version for fixed media, produced in ProTools on Macintosh (2000)
Work Description Electroacoustic work based on processed recordings of earlier chamber works, including Kanon i kanon and Haiku
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Premiere April 28, 2000 — Fixed media

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