Moto Immoto

Composer: Martin Lohse Year: 2009 Worknumber: W. E-6 Category: Cat 4.4 (Electroacoustic) Duration: 11 min
Instrumentation: fixed media
Original electroacoustic version

Performance Materials

    Other Versions

    Program Note

    In English

    Moto Immoto (2009)
    Mobile I
    Mixed media

    Moto Immoto (motion in the motionless) is created with samples from Vienna Symphonic Library as a virtual piece for symphonic orchestra exploring motion in the motionless and an irreversible feeling of lost time and sorrow. The scoring and rearrangement for live symphonic orchestra was written in 2010: Moto Immoto (symphony orchestra, second edition)

    The work is built upon a pattern of six major thirds in 5/4 time that slowly cycles through all keys, forming the harmonic basis for the entire piece. While insistent figures in the virtual strings and brass create a rhythmic and expressive counterpoint to the slow-moving chords, the work itself maintains its underlying transcendental character.

    Martin Lohse 2009

    Mobile
    Mobile is a compositional technique where multiple layers of music with independent tempos, meters, and styles are integrated into a recurring chordal pattern. These chords modulate slowly through all keys, resulting in a harmonic language with minimal dissonance.

    The technique synthesizes several methods developed across earlier works:

    1.  Continuous Modulation: A repeating sequence of chords that modulates from start to finish, creating a state of constant motion. This was first utilized in Haiku (1999) and further developed in In Liquid… (violin and piano) (2003) and Image Balancantes (2004).
    2.  Simultaneous Layers: The use of multiple independent musical layers, which has been a primary element of the music since 2000.
    3.  Rhythm Across Harmony: A principle where independent motives are played in individual tempos against the rhythm of the underlying chords. This was first explored in Smoke (2000), refined in Liebestraum (Liszt arrangement from 2005) and 8 Momenti Mobile (2008), and reached its definitive form in Concerto in Tempi (2010).

    ​
    Martin Lohse 2018

    In Danish

    Moto Immoto (2009)
    Mobile I
    Mixed media

    Moto Immoto (bevægelse i det ubevægelige) er skabt med samples fra Vienna Symphonic Library som et virtuelt værk for symfoniorkester, der udforsker bevægelse i det ubevægelige og en uafvendelig følelse af tabt tid og sorg. Partituret og arrangementet for live symfoniorkester blev skrevet i 2010: Moto Immoto (symphony orchestra, second edition)

    Værket er bygget op omkring et mønster af seks store tertser i 5/4-takt, der bevæger sig gennem samtlige tonearter og danner det harmoniske grundlag for hele stykket. Selvom insisterende figurer i de virtuelle strygere og messingblæsere skaber en rytmisk og ekspressiv kontrapunkt til de langsomme akkorder, bevarer værket sin underliggende transcendentale karakter.

    Martin Lohse 2009

    Mobile
    En teknik hvor forskellige lag af musik i hver deres tempo, metrik og musikalsk stil kombineres i et simpelt mønster af akkorder, som langsomt modulerer igennem alle tonearter i en uendelig sekvens, skabende en musik med ingen eller ganske få dissonanser.

    Martin Lohse 2018

    Audio Archive

    Performances

    First Performance

    AIR-koncert, EarUnit
    National Gallery of Denmark, Copenhagen, Denmark
    Fixed media - Vienna Symphonic Library
    Sunday 30 August 2009

    Reviews

    Please note: This list includes reviews across all versions of the work.

    • LOHSE: Collage de Temps; 5 Momenti Mobile; Moto Immoto
      (Nathan Faro - American Record Guide Nov/Dec 2018)
      ... It takes considerable willpower not to rewind to the beginning when it finishes...
      ... Like the rest of Lohse’s works on the album, it is a delight.
      Read full review →
    • MusicWeb International (2018)
      (Richard Hanlon - MusicWeb International)
      ... Lohse has given this (work) the lovely title Moto Immoto (Motionless motion), an apt oxymoron that utterly encapsulates this short, heartfelt piece...
      ... it certainly affected this reviewer in those terms - and easily bears repeated listening. It is revealing that this ten-minute panel lasts not a moment too long.
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    • Myriader af detaljer og intense klange
      (Henrik Friis - Politiken, kultur)
      The mobiles are breathlessly intense as they alternate between mournful and optimistic with equal parts chain dance and black melancholy.
      Read full review →
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