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- Menneskets Tråde (mezzo soprano) + (==Poem== ===In Danish=== <br/> ''' … ==Poem==</br></br>===In Danish===</br></br><br/></br>'''Menneskets Tråde'''</br></br>:Søens blege skær<br/></br>:skjuler min afmagt</br></br>:Kærlighedens tråde<br/></br>:famlende i genskæret<br/></br>:lysende op fra søens bund</br></br>:Jeg vågner op<br/></br>:og ser mennesket med dets tråde<br/></br>:flagrende - fulde af liv<br/></br>:evigt søgende</br></br>:Et blik - et møde<br/></br>:en tråd skydes ud for at fæstne<br/></br>:spindelvævstynd, men skinnende i mørket</br></br>:De sejler forbi hinanden<br/></br>:på erindringens blanke vand,<br/></br>:men tråden er fæstnet<br/></br>:som et glimt af lys</br></br>:Kærlighedens tråde<br/></br>:famlende i mørket<br/></br>:i søens blege skær</br></br>:Evigt søgende<br/></br>:giver evigt lys</br></br></br>:::Martin Lohse 29/8-02e<br/> :famlende i mørket<br/> :i søens blege skær :Evigt søgende<br/> :giver evigt lys :::Martin Lohse 29/8-02)
- For at Forfølge det Håb... + (==Poem== ===In Danish=== :::For at Forføl … ==Poem==</br></br>===In Danish===</br>:::For at Forfølge det Håb, som dræber mig</br>:::forfølger jeg tanken, der nærer håbet.</br>:::Jeg forfølger kærligheden, der nærer tanken,</br>::::og ikke tillader mig at dø I glemslen,</br>:::men nærer håbet om en time så uendelig stor,</br>:::at intet døgn kan rumme dens meningsløse tidsløshed.</br></br>:::På det seneste har den tanke forfulgt mig,</br>:::at evigheden er opbygget af små øjeblikke</br>:::der per defination</br>:::er unikke.</br></br>:::Kim Mortensen 1996</br></br>===In English===</br>:::To pursue the hope that kills me</br>:::I pursue the thought that nourishes hope.</br>:::I pursue the love that nourishes the thought,</br>::::and does not allow me to die in oblivion,</br>:::but nourishes the hope of an hour so infinitely great,</br>:::at no day can hold its meaningless timelessness.</br></br>:::Lately, the thought has haunted me,</br>:::at eternity is built of small moments</br>:::which by definition</br>:::are unique.</br></br>:::Kim Mortensen 1996tion :::are unique. :::Kim Mortensen 1996)
- Det døende Barn (choir) + (==Poem== ===In Danish=== <br /> :: … ==Poem==</br></br>===In Danish===</br><br /></br></br>:::'''Det døende Barn'''<br /></br></br>#Moder, jeg er træt, nu vil jeg sove,<br />Lad mig ved dit Hjerte slumre ind;<br />Græd dog ei, det maa Du først mig love,<br />Thi din Taare brænder paa min Kind.<br />Her er koldt og ude Stormen truer,<br />Men i Drømme, der er Alt saa smukt,<br />Og de søde Englebørn jeg skuer,<br />Naar jeg har det trætte Øie lukt.<br /><br /></br>#Moder, seer Du Englen ved min Side?<br />Hører Du den deilige Musik?<br />See, han har to Vinger smukke hvide,<br />Dem han sikkert af vor Herre fik;<br />Grønt og Guult og Rødt for Øiet svæver,<br />Det er Blomster Engelen udstrøer!<br />Faaer jeg ogsaa Vinger mens jeg lever,<br />Eller, Moder, faaer jeg naar jeg døer?<br /><br /></br>#Hvorfor trykker saa Du mine Hænder?<br />Hvorfor lægger Du din Kind til min?<br />Den er vaad, og dog som Ild den brænder,<br />Moder, jeg vil altid være din!<br />Men saa maa Du ikke længer sukke,<br />Græder Du, saa græder jeg med Dig.<br />O, jeg er saa træt! - maa Øiet lukke -<br />- Moder - see! nu kysser Englen mig!<br /></br></br>:::''H. C. Andersen 1825''</br><br /></br></br>===In English===</br><br /></br></br>:::'''The Dying Child'''</br></br>#Mother, I'm tired, and I would fain be sleeping;<br />Let me repose upon thy bosom sick;<br />But promise me that thou wilt leave off weeping,<br />Because thy tears fall hot upon my cheek.<br />Here it is cold: the tempest raveth madly;<br />But in my dreams all is so wondrous bright;<br />I see the angel-children smiling gladly,<br />When from my weary eyes I shut out light.<br /><br /></br>#Mother, one stands beside me now! and, listen!<br />Dost thou not hear the music's sweet accord?<br />See how his white wings beautifully glisten?<br />Surely those wings were given him by the Lord!<br />Green, gold, and red, are floating all around me;<br />They are the flowers the angel scattereth.<br />Should I have also wings while life has bound me?<br />Or, mother, are they given alone in death?<br /><br /></br>#Why dost thou clasp me as if I were going?<br />Why dost thou press thy cheek so unto mine?<br />Thy cheek is hot, and yet thy tears are flowing!<br />I will, dear mother, will be always thine!<br />Do not sigh thus - it marreth my reposing;<br />But if thou weep, then I must weep with thee!<br />Ah, I am tired - my weary eyes are closing - <br />Look, mother, look! the angel kisseth me!<br /></br></br>:::''Translation Mary Howith around 1850''</br><br /></br>Reference [https://www.gutenberg.org/ebooks/11333 www.gutenberg.org]</br><br />l be always thine!<br />Do not sigh thus - it marreth my reposing;<br />But if thou weep, then I must weep with thee!<br />Ah, I am tired - my weary eyes are closing - <br />Look, mother, look! the angel kisseth me!<br /> :::''Translation Mary Howith around 1850'' <br /> Reference [https://www.gutenberg.org/ebooks/11333 www.gutenberg.org] <br />)
- Three Haiku (12-part choir) + (==Poems== ===In Danish=== Digtene til de … ==Poems==</br></br>===In Danish===</br>Digtene til de 3 satser er af den gamle japanske digter [[wikipedia:Matsuo Bashō| Bashō]] gendigtet af den danske digter Hans-Jørgen Nielsen: ''HAIKU - en introduktion og 150 gendigtninger''</br></br>====Tempelklokken====</br>:Tempelklokken<br/></br>:dør hen</br></br>:Blomsternes<br/></br>:dufte</br></br>:Kimer videre</br></br>:::Hans-Jørgen Nielsen</br></br>====Havet formørkes====</br>:Havet<br/></br>:formørkes</br></br>:Mågens<br/></br>:skrig</br></br>:Blir<br/></br>:blege</br></br>:::Hans-Jørgen Nielsen</br></br>====Verden én farve====</br>:Verden<br/></br>:én farve</br></br>:Og vindens<br/></br>:hvislen</br></br>:Det er<br/></br>:vinter</br></br>:::Hans-Jørgen Nielsen</br></br>===In English===</br>The text for the three movements are haiku poems by the old Japanese poet [[wikipedia:Matsuo Bashō| Bashō]], rewritten to danish by Hans-Jørgen Nielsen: ''HAIKU - en introduktion og 150 gendigtninger'' (Haiku - an introduction and 150 rewritings)</br></br>====The temple bell====</br>:The temple bell dies away<br/></br>:The scent of flowers in the evening<br/></br>:Is still tolling the bell.</br></br>:::R. H. Blyth</br></br>====The Sea====</br>:Seas slowly darken</br>:and the wild duck's plaintive cry</br>:grows faintly white</br></br>:::Unknown</br></br>====The world one color====</br>:The world one color,</br>:and the wind hissing</br>:it's winter</br></br>:::Unknownnown ====The world one color==== :The world one color, :and the wind hissing :it's winter :::Unknown)
- Concerto for Recorder and Organ + (Composed in 2022, ''Concerto for Recorder … Composed in 2022, ''Concerto for Recorder and Organ'' is a minimalist and melodic concerto dedicated to [[Doppler Duo]]. The work is a recomposition of [[Double Concerto in G for recorder, cembalo and strings (3.3.2.2.1)| Double Concerto in G]] for recorder, cembalo and baroque strings. It draws significant inspiration from the Baroque master Antonio Vivaldi, whose music is lively and playful yet possesses a profound musical and human depth.</br></br>The work unfolds over seven movements:</br></br># ''Moderato''</br># ''Allegretto''</br># ''Largo''</br># ''Vivace''</br># ''Siciliano''</br># ''Vivace''</br># ''Allegro con moto''</br></br>An energetic opening movement is followed by a dance-like second movement, leading into a substantial, slow third movement. The fifth movement - a Siciliano - is flanked by two short, rapid Vivace movements, before the concerto concludes with an energetic finale.</br></br>Duration approximately 27 minutes.</br></br>::Martin Lohse 2022</br><br/></br><br/></br></br>===In Danish===</br>'''Programnote'''<br/></br>''Concerto for Recorder and Organ'' er en minimalistisk og melodisk koncert dedikeret til [[Doppler Duo]]. Værket er komponeret i 2022 og er en omkomposition af [[Double Concerto in G for recorder, cembalo and strings (3.3.2.2.1)| Double Concerto in G]] for blokfløjte og barokstrygere. Det henter betydelig inspiration fra barokmesteren Antonio Vivaldi, hvis musik er livlig og legende, men samtidig rummer en stor menneskelig og musikalsk dybde.</br></br>Værket udfolder sig over syv satser:</br></br># ''Moderato''</br># ''Allegretto''</br># ''Largo''</br># ''Vivace''</br># ''Siciliano''</br># ''Vivace''</br># ''Allegro con moto''</br></br>En energisk åbningssats efterfølges af en dansepræget andensats, der leder over i en vægtig, langsom tredjesats. Den femte sats - en Siciliano - er indrammet af to korte, hurtige Vivace-satser, før koncerten afsluttes med en energisk finale.</br></br>Varighed ca. 27 minutter.</br></br>::Martin Lohse 2022gisk finale. Varighed ca. 27 minutter. ::Martin Lohse 2022)
- Concerto Piccolo I (accordion concerto) + (Concerto piccolo I is inspired by the comp … Concerto piccolo I is inspired by the complex rhythms created when ocean waves hit rocks. Initially sparking curiosity, the experience quickly transforms into a distinct state - a specific feeling of time where one is simultaneously completely present and outside of time itself. The work begins at a fast tempo, with the accordion moving in and out of the orchestra's rhythmic texture. Various melodies emerge throughout, and the piece concludes with a slow, introspective repetition of the main theme.</br></br>The work was commissioned by PIF Castelfidardo 2023 for the third-round final of the Premio competition. It was first performed at Teatro Astro in Castelfidardo, Italy, by Zhiyuan Zhang, Olzhas Nurlanov, and Petar Dinčić with the Orchestra Filarmonica della Calabria, conducted by Alfredo Luigi Cornacchia.</br></br>::Martin Lohse 2023edo Luigi Cornacchia. ::Martin Lohse 2023)
- Magma + (Orchestral work in seven movements exploring distinct musical expressions in each movement.<br/> First performance by Albertslund Youth Symphony Orchestra.)
- Den Standhaftige Tinsoldat + (Orchestral work in seven movements for nar … Orchestral work in seven movements for narrator and singers (high voice) exploring H.C. Andersen’s "Den Standhaftige Tinsoldat" (Danish text can be translated to English upon request)</br></br>===Instrumentation===</br><br/></br>'''Orchestra (amateur)'''</br></br></br>Minimum 30 musicians in any combinations of:</br></br>:Wood instruments<br/></br>:Recorders<br/></br>:Saxophones</br></br>:Brass instruments</br></br>:Percussions</br></br>:Guitars<br/></br>:Accordions<br/></br>:Keyboard instruments<br/></br>:Harps</br></br>:Choir</br></br>:Strings</br></br></br>:The score is in C</br></br></br>:::Martin Lohse 2003t;br/> :Harps :Choir :Strings :The score is in C :::Martin Lohse 2003)
- One Minute for a C-Major + (Short work for string orchestra exploring a simple, humoristic concept)
- Accordion Concerto No.3 + (This accordion concerto is inspired by the … This accordion concerto is inspired by the complex rhythms created when ocean waves hit rocks. Initially sparking curiosity, the experience quickly transforms into a distinct state - a specific feeling of time where one is simultaneously completely present and outside of time itself.</br></br>The first movement begins at a fast tempo, with the accordion moving in and out of the orchestra's rhythmic texture. Various melodies emerge throughout, and the movement concludes with a slow, introspective repetition of the main theme.</br></br>The second movement begins where the first ended, featuring slow, expressive music that gradually increases in speed and intensity until Baroque elements break through at the work’s conclusion.</br></br>The two movements also exist as independent works titled [[Concerto Piccolo I (accordion concerto)|Concerto Piccolo I]] and [[Concerto Piccolo II (accordion concerto)|Concerto Piccolo II]]. Concerto Piccolo I was commissioned by PIF Castelfidardo 2023 for the third-round final of the Premio competition. It was first performed at Teatro Astro in Castelfidardo, Italy, by Zhiyuan Zhang, Olzhas Nurlanov, and Petar Dinčić with the Orchestra Filarmonica della Calabria, conducted by Alfredo Luigi Cornacchia.</br></br>The movements were composed concurrently for Bjarke Mogensen as works for accordion and electronics/sampled orchestra in 3D immersive audio. This version is designed for performance in varied settings, including churches, galleries, concert venues, and outdoor environments such as rocky landscapes, forests, or urban squares.</br></br>::Martin Lohse, 2025s, or urban squares. ::Martin Lohse, 2025)
- Image Balancantes (piano quartet) + (This is an arrangement of [[Image Balancantes (clarinet, violin, cello and piano)]] … This is an arrangement of [[Image Balancantes (clarinet, violin, cello and piano)]]</br></br>===Programnote in English===</br><br/></br>:'''Image Balancantes''' <br /></br></br>:Moments<br/></br>:tossing</br></br>:of times<br/></br>:lost and found</br></br></br>Martin Lohse 31/7-2004</br></br></br>===Program note in Danish===</br><br/></br>:'''Image Balancantes''' <br /></br></br>:Billeder<br/></br>:af tid</br></br>:I nuet<br/></br>:vuggende</br></br>:på kanten<br/></br>:af erindring</br></br></br>Martin Lohse 31/7-2004</br></br></br>==Work Description==</br>Musical reflections of time swaying on the edge of memory, characterized by shifting textures and recurring patterns</br>:::'''Instrumentation:''' vn, va, vc, pno</br>:::'''Version Text:''' Arrangement of original Image Balancantes for clarinet, violin, cello and pianoVersion Text:''' Arrangement of original Image Balancantes for clarinet, violin, cello and piano)