Property:PN Text
Jump to navigation
Jump to search
Has type Text
5
===In English===
:::'''5 Momenti Mobile''' (2019)
:::Accordion and piano quartet
:::The first four movements are a recomposition of the solo accordion works ''Passing'' (2011 - 12) and ''Menuetto'' (2008 - 14), while the fifth movement is new. The work utilizes the "mobile" technique, where independent musical layers - each with distinct tempos and styles - are combined through a sequence of major thirds.
:::The first and third movements are characterized by quickly repeating notes, small motives, and fast patterns, creating a dense and energetic texture. In contrast, the second movement, ''Andante con dolore sostenuto'', conveys a sense of tranquility. The fourth movement (''Menuetto'') and the fifth movement (Finale) conclude the work, as the whole unfolds in a unified form.
:::The work is dedicated to Bjarke Mogensen and the Lohse Quartet. It is also available in a version for accordion duo and piano trio.
:::# ''Allegro con passione sostenuto. Allegro grazioso. Allegro meno mosso''
:::# ''Andante con dolore sostenuto''
:::# ''Moderato con brio. Moderato meno mosso. Moderato piú allegro''
:::# ''Menuetto: Allegro grazioso con espressione. Allegro semplice poco rubato. Allegro grazioso con espressione''
:::# ''Allegro meno mosso. Allegro vivace. Vivace. Andante poco agitato. Allegro con brio. Allegro vivace. Presto''
:::Martin Lohse 2019
===In Danish===
:::'''5 Momenti Mobile''' (2019)
:::Akkordeon og klaverkvartet
:::De første fire satser er en omkomponering af værkerne ''Passing'' (2011 - 12) og ''Menuetto'' (2008 - 14) for solo akkordeon, mens den femte sats er ny. Værket benytter "mobile"-teknikken, hvor uafhængige musikalske lag med individuelle tempi og stilarter kombineres i en sekvens af store tertser.
:::1. og 3. sats er præget af hurtige tonerepetitioner, små motiver og hurtige mønstre, der skaber en tæt og energisk tekstur. Som kontrast heroverfor står 2. sats, ''Andante con dolore sostenuto'', der formidler en følelse af ro. 4. sats (''Menuetto'') og 5. sats (Finale) afrunder værket, og det hele udfolder sig i en forenet form.
:::Værket er tilegnet Bjarke Mogensen og Lohse Quartet og findes også i en version for akkordeon-duo og klavertrio.
:::# ''Allegro con passione sostenuto. Allegro grazioso. Allegro meno mosso''
:::# ''Andante con dolore sostenuto''
:::# ''Moderato con brio. Moderato meno mosso. Moderato piú allegro''
:::# ''Menuetto: Allegro grazioso con espressione. Allegro semplice poco rubato. Allegro grazioso con espressione''
:::# ''Allegro meno mosso. Allegro vivace. Vivace. Andante poco agitato. Allegro con brio. Allegro vivace. Presto''
:::Martin Lohse 2019
===In English===
:::'''5 Momenti Mobile''' (2019)
:::Accordion duo and piano trio
:::The first four movements are a recomposition of the solo accordion works ''Passing'' (2011 - 12) and ''Menuetto'' (2008 - 14), while the fifth movement is new. The work utilizes the "mobile" technique, where independent musical layers - each with distinct tempos and styles - are combined through a sequence of major thirds.
:::The first and third movements are characterized by quickly repeating notes, small motives, and fast patterns, creating a dense and energetic texture. In contrast, the second movement, ''Andante con dolore sostenuto'', conveys a sense of tranquility. The fourth movement (''Menuetto'') and the fifth movement (Finale) conclude the work, as the whole unfolds in a unified form.
:::The work is dedicated to Bjarke Mogensen and the Lohse Quartet. It is also available in a version for accordion and piano quartet.
:::# ''Allegro con passione sostenuto. Allegro grazioso. Allegro meno mosso''
:::# ''Andante con dolore sostenuto''
:::# ''Moderato con brio. Moderato meno mosso. Moderato piú allegro''
:::# ''Menuetto: Allegro grazioso con espressione. Allegro semplice poco rubato. Allegro grazioso con espressione''
:::# ''Allegro meno mosso. Allegro vivace. Vivace. Andante poco agitato. Allegro con brio. Allegro vivace. Presto''
:::Martin Lohse 2019
===In Danish===
:::'''5 Momenti Mobile''' (2019)
:::Akkordeon-duo og klavertrio
:::De første fire satser er en omkomponering af værkerne ''Passing'' (2011 - 12) og ''Menuetto'' (2008 - 14) for solo akkordeon, mens den femte sats er ny. Værket benytter "mobile"-teknikken, hvor uafhængige musikalske lag med individuelle tempi og stilarter kombineres i en sekvens af store tertser.
:::1. og 3. sats er præget af hurtige tonerepetitioner, små motiver og hurtige mønstre, der skaber en tæt og energisk tekstur. Som kontrast heroverfor står 2. sats, ''Andante con dolore sostenuto'', der formidler en følelse af ro. 4. sats (''Menuetto'') og 5. sats (Finale) afrunder værket, og det hele udfolder sig i en forenet form.
:::Værket er tilegnet Bjarke Mogensen og Lohse Quartet og findes også i en version for akkordeon og klaverkvartet.
:::# ''Allegro con passione sostenuto. Allegro grazioso. Allegro meno mosso''
:::# ''Andante con dolore sostenuto''
:::# ''Moderato con brio. Moderato meno mosso. Moderato piú allegro''
:::# ''Menuetto: Allegro grazioso con espressione. Allegro semplice poco rubato. Allegro grazioso con espressione''
:::# ''Allegro meno mosso. Allegro vivace. Vivace. Andante poco agitato. Allegro con brio. Allegro vivace. Presto''
:::Martin Lohse 2019
===In English===
:::'''5 Momenti Mobile''' (2019)
:::Cello and piano
:::The first four movements are a recomposition of the solo accordion works ''Passing'' (2011 - 12) and ''Menuetto'' (2008 - 14), while the fifth movement is new. The work utilizes the "mobile" technique, where independent musical layers - each with distinct tempos and styles - are combined through a sequence of major thirds.
:::The first and third movements are characterized by quickly repeating notes, small motives, and fast patterns, creating a dense and energetic texture. In contrast, the second movement, ''Andante con dolore sostenuto'', conveys a sense of tranquility. The fourth movement (''Menuetto'') and the fifth movement (Finale) conclude the work, as the whole unfolds in a unified form.
:::The work is dedicated to Bjarke Mogensen and the Lohse Quartet. It is also available in versions for accordion and piano quartet as well as accordion duo and piano trio.
:::# ''Allegro con passione sostenuto. Allegro grazioso. Allegro meno mosso''
:::# ''Andante con dolore sostenuto''
:::# ''Moderato con brio. Moderato meno mosso. Moderato piú allegro''
:::# ''Menuetto: Allegro grazioso con espressione. Allegro semplice poco rubato. Allegro grazioso con espressione''
:::# ''Allegro meno mosso. Allegro vivace. Vivace. Andante poco agitato. Allegro con brio. Allegro vivace. Presto''
:::Martin Lohse 2019
===In Danish===
:::'''5 Momenti Mobile''' (2019)
:::Cello og klaver
:::De første fire satser er en omkomponering af værkerne ''Passing'' (2011 - 12) og ''Menuetto'' (2008 - 14) for solo akkordeon, mens den femte sats er ny. Værket benytter "mobile"-teknikken, hvor uafhængige musikalske lag med individuelle tempi og stilarter kombineres i en sekvens af store tertser.
:::1. og 3. sats er præget af hurtige tonerepetitioner, små motiver og hurtige mønstre, der skaber en tæt og energisk tekstur. Som kontrast heroverfor står 2. sats, ''Andante con dolore sostenuto'', der formidler en følelse af ro. 4. sats (''Menuetto'') og 5. sats (Finale) afrunder værket, og det hele udfolder sig i en forenet form.
:::Værket er tilegnet Bjarke Mogensen og Lohse Quartet og findes også i versioner for akkordeon og klaverkvartet samt akkordeon-duo og klavertrio.
:::# ''Allegro con passione sostenuto. Allegro grazioso. Allegro meno mosso''
:::# ''Andante con dolore sostenuto''
:::# ''Moderato con brio. Moderato meno mosso. Moderato piú allegro''
:::# ''Menuetto: Allegro grazioso con espressione. Allegro semplice poco rubato. Allegro grazioso con espressione''
:::# ''Allegro meno mosso. Allegro vivace. Vivace. Andante poco agitato. Allegro con brio. Allegro vivace. Presto''
:::Martin Lohse 2019
==Work Description==
Work for cello and piano using the mobile technique to combine independent layers through a sequence of major thirds
:::'''Instrumentation:''' vc, pno
:::'''Version Text:''' Arrangement and recomposition of Passing and Menuetto - The score needs to be rewritten in selected places. Please contact Martin Lohse if you would like to perform the work and would like to rework especially the cello part in collaboration with the composer
6
===In English===
:::'''6 Preludes''' (2003/2013)
:::Accordion solo
:::The score is in exact pitch, and the proposed registers can be changed according to the room and instrument. The preludes can be performed individually or as a suite.
:::''6 Preludes'' was originally composed in 2003 for organ with one manual and pedals and dedicated to David Lau Magnussen. It was arranged for accordion in 2013.
:::The focus on melody and especially harmony is profound in the work. It is based mainly on major thirds and sequences of varying duration. In Preludes no. 2, 4, and 6, there are periods with long accelerandos that slowly but inevitably transform the music into a different state of musical expression.
:::Duration: app. 14 - 15 min
:::Martin Lohse 2013
===In Danish===
:::'''6 Preludes''' (2003/2013)
:::Akkordionsolo
:::Partituret er i klingende notation (exact pitch), og de foreslåede registreringer kan ændres efter rum og instrument. Præludierne kan opføres enkeltvis eller som en suite.
:::''6 Preludes'' er oprindeligt komponeret i 2003 for orgel med ét manual og pedal og tilegnet David Lau Magnussen. Det blev arrangeret for akkordion i 2013.
:::Der er fokus på melodi og især harmoni, hovedsageligt baseret på store tertser og sekvenser af varierende længde. I præludium nr. 2, 4 og 6 findes perioder med lange accelerandoer, der langsomt men uundgåeligt ændrer musikken til en ny tilstand af musikalsk udtryk.
:::Varighed: ca. 14 - 15 min
:::Martin Lohse 2013 +
===In English===
:::'''6 Preludes''' (2003)
:::Organ solo
:::The proposed registers can be changed according to the room and instrument, and the preludes can be performed individually or as a suite.
:::''6 Preludes'' is dedicated to David Lau Magnussen and was arranged for piano and for accordion in 2013.
:::The focus on melody and especially harmony is profound in the work. It is based mainly on major thirds and sequences of varying duration. In Preludes no. 2, 4, and 6, there are periods with long accelerandos that slowly but inevitably transform the music into a different state of musical expression.
:::Martin Lohse 2003
===In Danish===
:::'''6 Preludes''' (2003)
:::Orgelsolo
:::De foreslåede registreringer kan ændres efter rum og instrument, og præludierne kan opføres enkeltvis eller som en suite.
:::''6 Preludes'' er tilegnet David Lau Magnussen og blev arrangeret for både klaver og akkordion i 2013.
:::Der er et dybt fokus på melodi og især harmoni i værket, hovedsageligt baseret på store tertser og sekvenser af varierende længde. I præludium nr. 2, 4 og 6 findes perioder med lange accelerandoer, der langsomt men uundgåeligt ændrer musikken til en ny tilstand af musikalsk udtryk.
:::Martin Lohse 2003 +
===In English===
:::'''6 Preludes''' (2003/2013)
:::Piano solo
:::The score is in exact pitch. The preludes can be performed individually or as a suite.
:::''6 Preludes'' was originally composed in 2003 for organ with one manual and pedals and dedicated to David Lau Magnussen. It was arranged for piano in 2013.
:::The focus on melody and especially harmony is profound in the work. It is based mainly on major thirds and sequences of varying duration. In Preludes no. 2, 4, and 6, there are periods with long accelerandos that slowly but inevitably transform the music into a different state of musical expression.
:::Duration: app. 14 - 15 min
:::Martin Lohse 2013
===In Danish===
:::'''6 Preludes''' (2003/2013)
:::Pianosolo
:::Partituret er i klingende notation (exact pitch). Præludierne kan opføres enkeltvis eller som en suite.
:::''6 Preludes'' er oprindeligt komponeret i 2003 for orgel med ét manual og pedal og tilegnet David Lau Magnussen. Det blev arrangeret for klaver i 2013.
:::Der er fokus på melodi og især harmoni i værket, hovedsageligt baseret på store tertser og sekvenser af varierende længde. I præludium nr. 2, 4 og 6 findes perioder med lange accelerandoer, der langsomt men uundgåeligt ændrer musikken til en ny tilstand af musikalsk udtryk.
:::Varighed: ca. 14 - 15 min
:::Martin Lohse 2013 +
8
===In English===
:::'''8 Momenti Mobile''' (2008)
:::Saxophone quartet
:::''8 Momenti Mobile'' is a suite of eight character pieces exploring the mobile technique within a larger structural framework. The work moves through diverse emotional landscapes, contrasting energetic intermezzi with a solemn chorale and a meditative final movement of a tranquil, lingering nature, permeated by an underlying sense of lost time.
:::The work consists of eight movements:
:::# ''Andante appassionato. Vivace con moto. Adagio semplice''
:::# ''Intermezzo I: Allegro con moto''
:::# ''Andante con dolore sostenuto''
:::# ''Intermezzo II: Allegro con moto''
:::# ''Menuetto: Moderato grazioso con espressione''
:::# ''Corale: Calmo poco sostenuto. Più mosso. Calmo poco sostenuto''
:::# ''Intermezzo III: Andante poco sostenuto. Più allargando''
:::# ''Lamento: Largo. Adagio con passione sostenuto''
:::Duration app. 24 min
:::Martin Lohse 2008
===In Danish===
:::'''8 Momenti Mobile''' (2008)
:::Saxofonkvartet
:::''8 Momenti Mobile'' er en suite af otte karakterstykker, der udforsker mobile-teknikken inden for en større strukturel ramme. Værket bevæger sig gennem mangfoldige følelsesmæssige landskaber og kontrasterer energiske intermezzi med en højtidelig koral og en meditativ afsluttende sats med en rolig, dvælende karakter, gennemsyret af en underliggende følelse af tabt tid.
:::Værket består af otte satser:
:::# ''Andante appassionato. Vivace con moto. Adagio semplice''
:::# ''Intermezzo I: Allegro con moto''
:::# ''Andante con dolore sostenuto''
:::# ''Intermezzo II: Allegro con moto''
:::# ''Menuetto: Moderato grazioso con espressione''
:::# ''Corale: Calmo poco sostenuto. Più mosso. Calmo poco sostenuto''
:::# ''Intermezzo III: Andante poco sostenuto. Più allargando''
:::# ''Lamento: Largo. Adagio con passione sostenuto''
:::Varighed ca. 24 min
:::Martin Lohse 2008
==Work Description==
Suite of eight character pieces exploring the mobile technique as the work moves through diverse emotional landscapes
:::'''Instrumentation:''' 4 sax
:::'''Version Text:''' Original version for saxophone quartet
A
===English===
I am deeply fascinated by the energy and musical expression found in Baroque music. The joie de vivre and playful lightness of Vivaldi’s concertos served as a major inspiration for this work, alongside Baroque music’s profound ability to reach an inner core of presence, expressing deep passion and connecting us to something greater than ourselves.
The concerto is in three movements, with the two outer movements surrounding a slightly longer slow movement in the middle. Themes, figures, and harmonic progressions recur across the three movements, while the soloist constantly alternates between being shifted in time and playing in synchronization with the orchestra.
The work was commissioned by PIF Castelfidardo 2024 and is dedicated to Antonio Spaccarotella and PIF Castelfidardo.
:Martin Lohse 2024
===Danish===
Jeg er dybt fascineret af energien og det musikalske udtryk i barokmusikken. Livsglæden og den legende lethed i Vivaldis koncerter har været en stor inspiration i denne koncert, men også barokmusikkens utrolige evne til at nå ind til en indre kerne af at være til stede, udtrykke en dyb inderlighed og forbinde os til noget der er større end os selv.
Koncerten er i tre satser, hvor de to ydersatser omkranser en lidt længere, langsom sats i midten. Temaer, figurer og harmoniske forløb går på tværs af de tre satser, og solisten veksler hele tiden mellem at være tidsmæssigt forskudt og spille synkront med orkesteret.
Koncerten er bestilt af PIF Castelfidardo 2024 og dedikeret til Antonio Spaccarotella og PIF Castelfidardo.
:Martin Lohse 2024 +
This accordion concerto is inspired by the complex rhythms created when ocean waves hit rocks. Initially sparking curiosity, the experience quickly transforms into a distinct state - a specific feeling of time where one is simultaneously completely present and outside of time itself.
The first movement begins at a fast tempo, with the accordion moving in and out of the orchestra's rhythmic texture. Various melodies emerge throughout, and the movement concludes with a slow, introspective repetition of the main theme.
The second movement begins where the first ended, featuring slow, expressive music that gradually increases in speed and intensity until Baroque elements break through at the work’s conclusion.
The two movements also exist as independent works titled [[Concerto Piccolo I (accordion concerto)|Concerto Piccolo I]] and [[Concerto Piccolo II (accordion concerto)|Concerto Piccolo II]]. Concerto Piccolo I was commissioned by PIF Castelfidardo 2023 for the third-round final of the Premio competition. It was first performed at Teatro Astro in Castelfidardo, Italy, by Zhiyuan Zhang, Olzhas Nurlanov, and Petar Dinčić with the Orchestra Filarmonica della Calabria, conducted by Alfredo Luigi Cornacchia.
The movements were composed concurrently for Bjarke Mogensen as works for accordion and electronics/sampled orchestra in 3D immersive audio. This version is designed for performance in varied settings, including churches, galleries, concert venues, and outdoor environments such as rocky landscapes, forests, or urban squares.
::Martin Lohse, 2025 +
===In English===
:::'''Ad Passum''' (2026)
:::Concerto piccolo II
:::Accordion, brass ensemble and percussion
:::''Ad Passum'' (Toward the movement) is inspired by the complex rhythms created when ocean waves hit the rocks. Initially sparking curiosity, it quickly transitions into a unique state of time - a feeling of being both entirely present and outside of time itself. The work opens with slow, expressive music that steadily builds in speed and intensity, eventually leading to a breakthrough of baroque elements.
:::The work is dedicated to Bjarke Mogensen.
:::Martin Lohse 2026
===In Danish===
:::'''Ad Passum''' (2026)
:::Concerto piccolo II
:::Akkordeon, messingensemble og percussion
:::''Ad Passum'' (Mod bevægelsen) er inspireret af de komplekse rytmer, der opstår, når havets bølger rammer klipperne. Indledningsvis vækkes nysgerrigheden, men musikken transformeres hurtigt til en særlig tidsfornemmelse - en følelse af at være både fuldstændig til stede og uden for selve tiden. Værket begynder med langsom, ekspressiv musik, der gradvist bliver hurtigere og mere intens, indtil barokmusikken bryder igennem mod værkets slutning.
:::Værket er tilegnet Bjarke Mogensen.
:::Martin Lohse 2026
==Work Description==
Work inspired by the rhythmic interplay of ocean waves, exploring a dual state of presence and timelessness
:::'''Instrumentation:''' 0 0 0 0 - 2 6(3cnt, 2tpt, flhn) 3(2tbn, euph) 2 - timp(vib), mar
:::'''Version Text:''' The work is a reinstrumentation of ''Concerto Piccolo II'' for accordion and symphony orchestra, dedicated to Bjarke Mogensen +
===In English===
:::'''Around''' (2011)
:::Flute and delays
:::(bass flute, alto flute, and concert flute)
:::''Around'' is structured in three parts where the flutist changes instruments for each section, starting with the bass flute, moving to the alto flute in the middle, and concluding with the concert flute. It follows a classic ABA-form where the first part is repeated at the end with slight variations.
:::The work begins with a canon between the player and the electronics, consisting of a single delay three beats behind the musician. It creates the illusion of two individual flutes playing; while the combined music is perceived in 3/8, the musician actually plays in 5/16, thereby maintaining the illusion of two independent voices.
:::The middle section features five fast delays that create a distinct change-ringing rhythm before the return of the first part.
:::'''Mobile'''
:::A musical technique where different layers of music in individual tempos, metrics, and musical styles are combined in a simple pattern of chords, which slowly modulate through all the keys in a never-ending sequence, creating music with no or very few dissonances.
:::Martin Lohse 2011
===In Danish===
:::'''Around''' (2011)
:::Fløjte og delays
:::(bas-, alt- og tværfløjte)
:::''Around'' er opbygget i tre dele, hvor fløjtenisten skifter instrument for hver del: først basfløjte, derefter altfløjte og til sidst tværfløjte. Værket følger en klassisk ABA-form, hvor første del gentages til sidst med en smule variation.
:::Værket starter med en kanon mellem musikeren og elektronikken, der består af ét delay tre slag efter musikeren. Dette skaber en illusion af to selvstændige fløjter; mens den samlede musik opfattes som værende i 3/8, spiller fløjtenisten faktisk i 5/16, hvilket giver indtryk af to uafhængige stemmer.
:::I midterdelen høres fem hurtige delays, som frembringer en særlig "change-ringing" rytme, før værket vender tilbage til første del.
:::'''Mobile'''
:::En teknik, hvor forskellige lag af musik i hver deres tempo, metrik og musikalske stil kombineres i et simpelt mønster af akkorder, som langsomt modulerer igennem alle tonearter i en uendelig sekvens, hvilket skaber en musik med ingen eller ganske få dissonanser.
:::Martin Lohse 2011
===In English===
'''Autumn Rain''' (2015)<br />
for accordion solo
''Autumn Rain' is dedicated to Geir Draugsvoll and can be played as an individual piece or as part of the cycle ''Seasons''.<br />
The score is in exact pitch, and the proposed registers can be changed according to the room and instrument.
Duration app. 7 min.<br />
::'''Autumn Rain''' <br />
::Glittering
::between drops of rain
::My skin exposed
::to the last light of autumn
::::::Martin Lohse 2015 +
===In English===
:::'''Autumnus''' (2025/2026)
:::Guitar duo
:::''Autumnus'' is inspired by autumn. Sunlight glimmering through the trees in a fading forest, still full of life and beautiful in all its colors, but with an infinite sense of something that has been.
:::The work is commissioned by and dedicated to Aros Guitar Duo.
:::Duration app. 9 min
:::Martin Lohse 2026
===In Danish===
:::'''Autumnus''' (2025/2026)
:::Guitarduo
:::''Autumnus'' er inspireret af efteråret. Sollys der glimter gennem træerne i en falmende skov, stadig fuld af liv og smuk i alle sine farver, men med en uendelig følelse af noget, der har været.
:::Værket er bestilt af og tilegnet Aros Guitar Duo.
:::Varighed ca. 9 min
:::Martin Lohse 2026
==Work Description==
Work inspired by autumn, capturing sunlight glimmering through the trees of a fading forest and an infinite sense of something that has been
:::'''Instrumentation:''' 2 gtr
:::'''Version Text:''' Original version for guitar duo, commissioned by and dedicated to Aros Guitar Duo +
B
===In English===
:::'''Between''' (2016)
:::Between sorrow and light
:::Violin and guitar
:::''Between'' was commissioned by the Danish-Australian Duo.
:::'''Mobile'''
:::Mobile is a compositional technique where multiple layers of music with independent tempos, meters, and styles are integrated into a recurring chordal pattern. These chords modulate slowly through all keys, resulting in a harmonic language with minimal dissonance.
:::The technique synthesizes several methods developed across earlier works:
:::# '''Continuous Modulation:''' A repeating sequence of chords that modulates from start to finish, creating a state of constant motion. This was first utilized in [[Haiku]] (1999) and further developed in [[In Liquid... (violin and piano)]] (2003) and [[Image Balancantes]] (2004).
:::# '''Simultaneous Layers:''' The use of multiple independent musical layers, which has been a primary element of the music since 2000.
:::# '''Rhythm Across Harmony:''' A principle where independent motives are played in individual tempos against the rhythm of the underlying chords. This was first explored in [[Smoke]] (2000), refined in [[Liebestraum]] (Liszt arrangement from 2005) and [[8 Momenti Mobile (saxophone quartet)|8 Momenti Mobile]] (2008), and reached its definitive form in [[Concerto in Tempi (accordion and piano, first edition)|Concerto in Tempi]] (2010).
:::Martin Lohse 2016
===In Danish===
:::'''Between''' (2016)
:::Mellem sorg og lys
:::Violin og guitar
:::''Between'' er bestilt af Den Dansk-Australske Duo.
:::'''Mobile'''
:::En teknik hvor forskellige lag af musik i hver deres tempo, metrik og musikalsk stil kombineres i et simpelt mønster af akkorder, som langsomt modulerer igennem alle tonearter i en uendelig sekvens, skabende en musik med ingen eller ganske få dissonanser.
:::Martin Lohse 2016 +
C
===In English===
:::'''Cadenza''' (2012)
:::Quasi improvvisazione
:::Accordion solo
:::The score is in exact pitch, and the proposed registers can be changed according to the room and instrument.
:::''Cadenza'' is dedicated to Bjarke Mogensen and consists of excerpts from the second and fourth movements of the accordion concerto ''[[In Liquid... (accordion concerto, second version)|In Liquid...]]'' from 2008 - 10.
:::Repeating notes alternating between bellows shake and natural bellows, in a long descending sequence of chords, culminate in a profound A-minor chord that ebbs away, followed by three deep glissandos. In the aftermath comes a slow coda with two voices slowly moving away from each other.
:::Martin Lohse 2012
===In Danish===
:::'''Cadenza''' (2012)
:::Quasi improvvisazione
:::Akkordionsolo
:::Partituret er i klingende notation (exact pitch), og de noterede registre kan ændres efter rum og instrument.
:::''Cadenza'' er tilegnet Bjarke Mogensen og består af uddrag fra anden og fjerde sats fra akkordionkoncerten ''[[In Liquid... (accordion concerto, second version)|In Liquid...]]'' fra 2008 - 10.
:::En lang faldende sekvens af akkorder med gentagne toner, skiftende mellem bellows shake og almindelig bælg, kulminerer i en gennemgribende a-mol akkord, der ebber ud efterfulgt af tre dybe glissandoer. I eftervirkningerne følger en langsom koda med to stemmer, der gradvist fjerner sig fra hinanden.
:::Martin Lohse 2012 +
===In English===
:::'''Change Ringing''' (2009)
:::Clarinet, vibraphone, harp and electronics
:::''Change Ringing'' is a neoclassical work that explores rhythmic and melodic patterns, evoking the traditional bell-ringing technique from which it takes its name. The core of the ensemble is complemented by a pre-recorded string soundfile, creating a lush introduction for the live instrumentalists. While the electronic component adds a specific depth to the texture, the work is designed with structural flexibility, allowing it to be performed effectively as an acoustic trio without the soundfile.
:::Duration: 6 min.
:::Martin Lohse 2009
===In Danish===
:::'''Change Ringing''' (2009)
:::Klarinet, vibrafon, harpe og elektronik
:::''Change Ringing'' er et neoklassisk værk, der udforsker rytmiske og melodiske mønstre inspireret af den traditionelle klokkeringningsteknik. Ensemblet suppleres af en forudindspillet strygerlydfil, der skaber en fyldig introduktion for de tre instrumenter. Selvom de elektroniske elementer tilfører teksturen en særlig dybde, er værket designet med strukturel fleksibilitet, hvilket gør det muligt at opføre det som en akustisk trio uden brug af lydfilen.
:::Varighed: 6 min.
:::Martin Lohse 2009
==Work Description==
Neoclassical work exploring rhythmic and melodic patterns inspired by traditional bell-ringing techniques, featuring a lush musical atmosphere
:::'''Instrumentation:''' cl, vib, hp, elec
:::'''Version Text:''' Scored for clarinet, vibraphone, harp and electronics (pre-recorded string soundfile). Structural flexibility allows for performance as an acoustic trio without the electronics
==Desciption, electronic part==
Electronic is a string soundfile created in Vienna Symphonic Library.
The piece can be played without the soundfile.
The score is transposing. The bass clarinet transpose an octave and a major second down, and the harmonics in the harp sounds an octave higher than written.
Duration app. 6 min.
::Martin Lohse 2009
===In English===
'''Collage de Temps''' (2013)<br />
Piano and sinfonietta<br />
duration app. 24 min<br />
# ''Presto con sonore. Moderato e grazioso. Moderato maestoso. Allegro con brio''
# ''Andante poco dolente''
# ''Andante cantabile. Moderato e grazioso. Moderato maestoso. Andante e grazioso''
# ''Moderato più mosso. Adagio''
# ''Allegro poco agitato. Allegro più mosso. Andante e espressivo. Moderato più mosso. Andante. Moderato e grazioso. Moderato con espressione. Largo''
:::'''Program note'''
:::Small quick glimpses and slow lingering
:::Repetition and melody
:::tempo and change
:::And an inner longing for connection
Martin Lohse 2013
===In Danish===
:::'''Programnote'''
:::Små hurtige glimt og langsom dvælen
:::Gentagelse og melodi
:::tempo og forandring
:::Og en indre længsel efter sammenhæng
Martin Lohse 2013 +
===In English===
'''Collage de Temps''' (2013)<br />
Piano duo<br />
duration app. 24 min<br />
# ''Presto con sonore. Moderato e grazioso. Moderato maestoso. Allegro con brio''
# ''Andante poco dolente''
# ''Andante cantabile. Moderato e grazioso. Moderato maestoso. Andante e grazioso''
# ''Moderato più mosso. Adagio''
# ''Allegro poco agitato. Allegro più mosso. Andante e espressivo. Moderato più mosso. Andante. Moderato e grazioso. Moderato con espressione. Largo''
:::'''Program note'''
:::Small quick glimpses and slow lingering
:::Repetition and melody
:::tempo and change
:::And an inner longing for connection
Martin Lohse 2013
===In Danish===
:::'''Programnote'''
:::Små hurtige glimt og langsom dvælen
:::Gentagelse og melodi
:::tempo og forandring
:::Og en indre længsel efter sammenhæng
Martin Lohse 2013 +
Concerto piccolo I is inspired by the complex rhythms created when ocean waves hit rocks. Initially sparking curiosity, the experience quickly transforms into a distinct state - a specific feeling of time where one is simultaneously completely present and outside of time itself. The work begins at a fast tempo, with the accordion moving in and out of the orchestra's rhythmic texture. Various melodies emerge throughout, and the piece concludes with a slow, introspective repetition of the main theme.
The work was commissioned by PIF Castelfidardo 2023 for the third-round final of the Premio competition. It was first performed at Teatro Astro in Castelfidardo, Italy, by Zhiyuan Zhang, Olzhas Nurlanov, and Petar Dinčić with the Orchestra Filarmonica della Calabria, conducted by Alfredo Luigi Cornacchia.
::Martin Lohse 2023 +