The Dying Child
Silenzio
Performance Materials
- •Download score (pdf)
Other Versions
-
•
The Dying Child (accordion)
(1998/2014)
Inst: acc -
•
The Dying Child (violin and piano)
(2004)
Silenzio
Inst: vn, pno
Program Note
In English
The Dying Child (2005)
Violin and piano or a full quartet including clarinet and cello
The violin part is derived from the solo work Silenzio (violin), which is inspired by a haiku poem by the Japanese master Basho. The work exists in two versions: the first from 2004 for violin and piano, and the second from 2005 with an added bass clarinet and cello part.
The music is based on H. C. Andersen’s heartfelt and profoundly sad poem, portraying a child’s death seen through the child’s own eyes. It explores the transition between life and death, where the child comforts the mother while passing into the beyond.
This edition includes the original score for violin and piano as well as the score with added parts for bass clarinet and cello. All performers play from these two scores.
Duration app. 6 min
Martin Lohse 2005
Poem
Let me repose upon thy bosom sick;
But promise me that thou wilt leave off weeping,
Because thy tears fall hot upon my cheek.
Here it is cold: the tempest raveth madly;
But in my dreams all is so wondrous bright;
I see the angel-children smiling gladly,
When from my weary eyes I shut out light.
Dost thou not hear the music’s sweet accord?
See how his white wings beautifully glisten?
Surely those wings were given him by the Lord!
Green, gold, and red, are floating all around me;
They are the flowers the angel scattereth.
Should I have also wings while life has bound me?
Or, mother, are they given alone in death?
Why dost thou press thy cheek so unto mine?
Thy cheek is hot, and yet thy tears are flowing!
I will, dear mother, will be always thine!
Do not sigh thus – it marreth my reposing;
But if thou weep, then I must weep with thee!
Ah, I am tired – my weary eyes are closing –
Look, mother, look! the angel kisseth me!
Translation Mary Howith around 1850
In Danish
Det døende Barn (2005)
Violin og klaver eller en fuld kvartet inklusiv klarinet og cello
Violinstemmen stammer fra soloværket Silenzio (violin), som er inspireret af et haikudigt af den japanske mester Basho. Værket findes i to versioner: den første fra 2004 for violin og klaver, og den anden fra 2005 med tilføjet basklarinet og cello.
Musikken er baseret på H. C. Andersens inderlige og meget sørgelige digt, der skildrer et barns død set gennem barnets egne øjne. Værket udforsker overgangen mellem liv og død, hvor barnet trøster moderen, mens det begiver sig ind i det hinsidige.
Denne udgivelse indeholder både det oprindelige partitur for violin og klaver samt partituret med de tilføjede stemmer til basklarinet og cello. Alle musikere spiller direkte fra de to partiturer.
Varighed ca. 6 min
Martin Lohse 2005
Digt
Lad mig ved dit Hjerte slumre ind;
Græd dog ei, det maa Du først mig love,
Thi din Taare brænder paa min Kind.
Her er koldt og ude Stormen truer,
Men i Drømme, der er Alt saa smukt,
Og de søde Englebørn jeg skuer,
Naar jeg har det trætte Øie lukt.
Hører Du den deilige Musik?
See, han har to Vinger smukke hvide,
Dem han sikkert af vor Herre fik;
Grønt og Guult og Rødt for Øiet svæver,
Det er Blomster Engelen udstrøer!
Faaer jeg ogsaa Vinger mens jeg lever,
Eller, Moder, faaer jeg naar jeg døer?
Hvorfor lægger Du din Kind til min?
Den er vaad, og dog som Ild den brænder,
Moder, jeg vil altid være din!
Men saa maa Du ikke længer sukke,
Græder Du, saa græder jeg med Dig.
O, jeg er saa træt! – maa Øiet lukke –
– Moder – see! nu kysser Englen mig!
H. C. Andersen 1825
Audio Archive
Performances
First Performance
Tuesday 1 November 2005 – Ensemble Nordlys – Crawford Municipal Art Gallery, Emmet Place, Bishopstown Cork, Ireland
Reviews
Please note: This list includes reviews across all versions of the work.
- Mogensen Lohse: Mobile, Works for Solo Accordion
(Alessandro Mugnoz - Accordions Worldwide April 2018)... Fresh music, contemporary but not excessively "intellectual" and not at all hermetic, indeed sincere and communicative, often captivating, which show strong roots with the great Western "classical" tradition; a happy combination, just like in Scarlatti, of lightness and playfulness with passion and solemnity.... Music that surely reconciles the audience with contemporary "cultured" music and that undoubtedly enrichs the specific repertoire for the accordion.Read full review → - Lykkeligt match
(Mikael Krarup - mitFyn.dk)Lykkeligt matchRead full review →
10 års samarbejde mellem Bjarke Mogensen og den danske komponist Martin Lohse har resulteret i en fin udgivelse med Lohses på én gang minimalistiske, melodiøse musik, som overraskende nok er moderne kompositionsmusik fra dette århundrede. Nogle er omskrevne tidligere værker, andre nykomponerede til Bjarke Mogensen. Lyst og venligt, men også indadvendt og mørkt, hans sans for udnyttelse af instrumentets trods alt begrænsede muligheder ligger i de ofte sindrigt udtænkte rytmiske lag, der som et "perpetuum mobile" udvikler sig og overrasker. Bjarke Mogensens suveræne spil gør oplevelsen stor, og ved flere aflytninger øges glæden. Cyklus-titler som "Passing" og "Momentum" synes velegnede og udtrykker sigende musikkens væsen, sammen med små menuetter eller de seks præludier, som er mere end blot forspil til noget andet. - Politiken (11 Aug 2015)
(Thomas Michelsen - Politiken, Kultur bagsiden)"This release will convert the skeptic to new classical music""It may well be that you are not going to be religious, if you invest in this release from Gateway Music. On the other hand, there is some risk that you will be reversed and start listening to contemporary music." - translation from danish -Read full review →