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"5 Momenti Mobile","","42c","2013/2019","2 April 2019","24","Martin Lohse","2.5","https://online.fliphtml5.com/forz/bqak","§","Live Performance","","acc, vn, va, vc, pno","Arrangement and recomposition of Passing and Menuetto - Dedicated to Bjarke Mogensen and the Lohse Quartet","Work for accordion and piano quartet using the mobile technique to combine independent layers through a sequence of major thirds","===In English===
- 5 Momenti Mobile (2019)
- Accordion and piano quartet
- The first four movements are a recomposition of the solo accordion works Passing (2011 - 12) and Menuetto (2008 - 14), while the fifth movement is new. The work utilizes the "mobile" technique, where independent musical layers - each with distinct tempos and styles - are combined through a sequence of major thirds.
- The first and third movements are characterized by quickly repeating notes, small motives, and fast patterns, creating a dense and energetic texture. In contrast, the second movement, Andante con dolore sostenuto, conveys a sense of tranquility. The fourth movement (Menuetto) and the fifth movement (Finale) conclude the work, as the whole unfolds in a unified form.
- The work is dedicated to Bjarke Mogensen and the Lohse Quartet. It is also available in a version for accordion duo and piano trio.
- Allegro con passione sostenuto. Allegro grazioso. Allegro meno mosso
- Andante con dolore sostenuto
- Moderato con brio. Moderato meno mosso. Moderato piú allegro
- Menuetto: Allegro grazioso con espressione. Allegro semplice poco rubato. Allegro grazioso con espressione
- Allegro meno mosso. Allegro vivace. Vivace. Andante poco agitato. Allegro con brio. Allegro vivace. Presto
- Martin Lohse 2019
In Danish
- 5 Momenti Mobile (2019)
- Akkordeon og klaverkvartet
- De første fire satser er en omkomponering af værkerne Passing (2011 - 12) og Menuetto (2008 - 14) for solo akkordeon, mens den femte sats er ny. Værket benytter "mobile"-teknikken, hvor uafhængige musikalske lag med individuelle tempi og stilarter kombineres i en sekvens af store tertser.
- 1. og 3. sats er præget af hurtige tonerepetitioner, små motiver og hurtige mønstre, der skaber en tæt og energisk tekstur. Som kontrast heroverfor står 2. sats, Andante con dolore sostenuto, der formidler en følelse af ro. 4. sats (Menuetto) og 5. sats (Finale) afrunder værket, og det hele udfolder sig i en forenet form.
- Værket er tilegnet Bjarke Mogensen og Lohse Quartet og findes også i en version for akkordeon-duo og klavertrio.
- Allegro con passione sostenuto. Allegro grazioso. Allegro meno mosso
- Andante con dolore sostenuto
- Moderato con brio. Moderato meno mosso. Moderato piú allegro
- Menuetto: Allegro grazioso con espressione. Allegro semplice poco rubato. Allegro grazioso con espressione
- Allegro meno mosso. Allegro vivace. Vivace. Andante poco agitato. Allegro con brio. Allegro vivace. Presto
- Martin Lohse 2019","25 July 2019","Bjarke Mogensen and Lohse Quartet","Bornholms Musikfestival, Aa kirke, Bornholm, Denmark","5_momenti_mobile_acc_pno-quartet","(pdf)","","chamber music","","","","","","","","5 Momenti Mobile","""5 Momenti Mobile","","42","2013","14 August 2013","24","Martin Lohse","2.5","https://online.fliphtml5.com/forz/dplk","§","Live Recording (accordion and piano quartet version)","","2 acc, vn, vc, pno","Arrangement and recomposition of Passing and Menuetto - Dedicated to Bjarke Mogensen and the Lohse Quartet","Work for accordion duo and piano trio using the mobile technique to combine independent layers through a sequence of major thirds","===In English===
- 5 Momenti Mobile (2019)
- Accordion duo and piano trio
- The first four movements are a recomposition of the solo accordion works Passing (2011 - 12) and Menuetto (2008 - 14), while the fifth movement is new. The work utilizes the "mobile" technique, where independent musical layers - each with distinct tempos and styles - are combined through a sequence of major thirds.
- The first and third movements are characterized by quickly repeating notes, small motives, and fast patterns, creating a dense and energetic texture. In contrast, the second movement, Andante con dolore sostenuto, conveys a sense of tranquility. The fourth movement (Menuetto) and the fifth movement (Finale) conclude the work, as the whole unfolds in a unified form.
- The work is dedicated to Bjarke Mogensen and the Lohse Quartet. It is also available in a version for accordion and piano quartet.
- Allegro con passione sostenuto. Allegro grazioso. Allegro meno mosso
- Andante con dolore sostenuto
- Moderato con brio. Moderato meno mosso. Moderato piú allegro
- Menuetto: Allegro grazioso con espressione. Allegro semplice poco rubato. Allegro grazioso con espressione
- Allegro meno mosso. Allegro vivace. Vivace. Andante poco agitato. Allegro con brio. Allegro vivace. Presto
- Martin Lohse 2019
In Danish
- 5 Momenti Mobile (2019)
- Akkordeon-duo og klavertrio
- De første fire satser er en omkomponering af værkerne Passing (2011 - 12) og Menuetto (2008 - 14) for solo akkordeon, mens den femte sats er ny. Værket benytter "mobile"-teknikken, hvor uafhængige musikalske lag med individuelle tempi og stilarter kombineres i en sekvens af store tertser.
- 1. og 3. sats er præget af hurtige tonerepetitioner, små motiver og hurtige mønstre, der skaber en tæt og energisk tekstur. Som kontrast heroverfor står 2. sats, Andante con dolore sostenuto, der formidler en følelse af ro. 4. sats (Menuetto) og 5. sats (Finale) afrunder værket, og det hele udfolder sig i en forenet form.
- Værket er tilegnet Bjarke Mogensen og Lohse Quartet og findes også i en version for akkordeon og klaverkvartet.
- Allegro con passione sostenuto. Allegro grazioso. Allegro meno mosso
- Andante con dolore sostenuto
- Moderato con brio. Moderato meno mosso. Moderato piú allegro
- Menuetto: Allegro grazioso con espressione. Allegro semplice poco rubato. Allegro grazioso con espressione
- Allegro meno mosso. Allegro vivace. Vivace. Andante poco agitato. Allegro con brio. Allegro vivace. Presto
- Martin Lohse 2019","11 September 2013","Mythos with piano trio","Concert Hall, Royal Danish Academy of Music, Copenhagen","5_momenti_mobile_acc-duo_pno-trio","(pdf)","","chamber music","","","","","","","","5 Momenti Mobile","y""5 Momenti Mobile","","42b","2013","20 September 2013","24","Martin Lohse","2.8","","","","","vc, pno","Arrangement and recomposition of Passing and Menuetto - The score needs to be rewritten in selected places. Please contact Martin Lohse if you would like to perform the work and would like to rework especially the cello part in collaboration with the composer","Work for cello and piano using the mobile technique to combine independent layers through a sequence of major thirds","===In English===
- 5 Momenti Mobile (2019)
- Cello and piano
- The first four movements are a recomposition of the solo accordion works Passing (2011 - 12) and Menuetto (2008 - 14), while the fifth movement is new. The work utilizes the "mobile" technique, where independent musical layers - each with distinct tempos and styles - are combined through a sequence of major thirds.
- The first and third movements are characterized by quickly repeating notes, small motives, and fast patterns, creating a dense and energetic texture. In contrast, the second movement, Andante con dolore sostenuto, conveys a sense of tranquility. The fourth movement (Menuetto) and the fifth movement (Finale) conclude the work, as the whole unfolds in a unified form.
- The work is dedicated to Bjarke Mogensen and the Lohse Quartet. It is also available in versions for accordion and piano quartet as well as accordion duo and piano trio.
- Allegro con passione sostenuto. Allegro grazioso. Allegro meno mosso
- Andante con dolore sostenuto
- Moderato con brio. Moderato meno mosso. Moderato piú allegro
- Menuetto: Allegro grazioso con espressione. Allegro semplice poco rubato. Allegro grazioso con espressione
- Allegro meno mosso. Allegro vivace. Vivace. Andante poco agitato. Allegro con brio. Allegro vivace. Presto
- Martin Lohse 2019
In Danish
- 5 Momenti Mobile (2019)
- Cello og klaver
- De første fire satser er en omkomponering af værkerne Passing (2011 - 12) og Menuetto (2008 - 14) for solo akkordeon, mens den femte sats er ny. Værket benytter "mobile"-teknikken, hvor uafhængige musikalske lag med individuelle tempi og stilarter kombineres i en sekvens af store tertser.
- 1. og 3. sats er præget af hurtige tonerepetitioner, små motiver og hurtige mønstre, der skaber en tæt og energisk tekstur. Som kontrast heroverfor står 2. sats, Andante con dolore sostenuto, der formidler en følelse af ro. 4. sats (Menuetto) og 5. sats (Finale) afrunder værket, og det hele udfolder sig i en forenet form.
- Værket er tilegnet Bjarke Mogensen og Lohse Quartet og findes også i versioner for akkordeon og klaverkvartet samt akkordeon-duo og klavertrio.
- Allegro con passione sostenuto. Allegro grazioso. Allegro meno mosso
- Andante con dolore sostenuto
- Moderato con brio. Moderato meno mosso. Moderato piú allegro
- Menuetto: Allegro grazioso con espressione. Allegro semplice poco rubato. Allegro grazioso con espressione
- Allegro meno mosso. Allegro vivace. Vivace. Andante poco agitato. Allegro con brio. Allegro vivace. Presto
- Martin Lohse 2019
Work Description
Work for cello and piano using the mobile technique to combine independent layers through a sequence of major thirds
- Instrumentation: vc, pno
- Version Text: Arrangement and recomposition of Passing and Menuetto - The score needs to be rewritten in selected places. Please contact Martin Lohse if you would like to perform the work and would like to rework especially the cello part in collaboration with the composer","20 October 2013","Jacob Shaw and David Lau Magnussen","Study Scene, Royal Danish Academy of Music, Copenhagen","","","","chamber music","","","","","","","","5 Momenti Mobile","""Accordion Concerto No.2","","64","2024","7 June 2024","23","Martin Lohse","1.2","https://online.fliphtml5.com/forz/iuqu","§","First performance","Accordion (amplified)","2 2 2 2 - 4 2 0 0 - timp, str","","Accordion concerto in three movements exploring the energy and expression of Baroque music","===English===
I am deeply fascinated by the energy and musical expression found in Baroque music. The joie de vivre and playful lightness of Vivaldi’s concertos served as a major inspiration for this work, alongside Baroque music’s profound ability to reach an inner core of presence, expressing deep passion and connecting us to something greater than ourselves.
The concerto is in three movements, with the two outer movements surrounding a slightly longer slow movement in the middle. Themes, figures, and harmonic progressions recur across the three movements, while the soloist constantly alternates between being shifted in time and playing in synchronization with the orchestra.
The work was commissioned by PIF Castelfidardo 2024 and is dedicated to Antonio Spaccarotella and PIF Castelfidardo.
- Martin Lohse 2024
Danish
Jeg er dybt fascineret af energien og det musikalske udtryk i barokmusikken. Livsglæden og den legende lethed i Vivaldis koncerter har været en stor inspiration i denne koncert, men også barokmusikkens utrolige evne til at nå ind til en indre kerne af at være til stede, udtrykke en dyb inderlighed og forbinde os til noget der er større end os selv.
Koncerten er i tre satser, hvor de to ydersatser omkranser en lidt længere, langsom sats i midten. Temaer, figurer og harmoniske forløb går på tværs af de tre satser, og solisten veksler hele tiden mellem at være tidsmæssigt forskudt og spille synkront med orkesteret.
Koncerten er bestilt af PIF Castelfidardo 2024 og dedikeret til Antonio Spaccarotella og PIF Castelfidardo.
- Martin Lohse 2024","10 September 2024","Orchestra Filarmonica della Calabria","Auditorium San Francesco, PIF Castelfidardo, Italy","accordion-concerto-no2_acc-orc","","(pdf)","orchestral music","","109","","","https://www.universaledition.com/Werke/Accordion-Concerto-No.-2/P0295716","https://www.universaledition.com/preview/d3f9c78535d06fb4698ccaaecbb9ca83","","","""Ad Passum","Concerto Piccolo II","67c","2025/2026","5 February 2026","5","Martin Lohse","1.2","","§","","Accordion (amplified)","0 0 0 0 - 2 6(3cnt, 2tpt, flhn) 3(2trb, euph) 2 - timp(vib), mar - acc","The work is a reinstrumentation of the first part of Concerto Piccolo II for accordion and symphony orchestra, dedicated to Bjarke Mogensen","Work inspired by the rhythmic interplay of ocean waves, exploring a dual state of presence and timelessness","===In English===
- Ad Passum (2026)
- Concerto piccolo II
- Accordion, brass ensemble and percussion
- Ad Passum (Toward the movement) is inspired by the complex rhythms created when ocean waves hit the rocks. Initially sparking curiosity, it quickly transitions into a unique state of time - a feeling of being both entirely present and outside of time itself. The work opens with slow, expressive music that steadily builds in speed and intensity, eventually leading to a breakthrough of baroque elements.
- The work is dedicated to Bjarke Mogensen.
- Martin Lohse 2026
In Danish
- Ad Passum (2026)
- Concerto piccolo II
- Akkordeon, messingensemble og percussion
- Ad Passum (Mod bevægelsen) er inspireret af de komplekse rytmer, der opstår, når havets bølger rammer klipperne. Indledningsvis vækkes nysgerrigheden, men musikken transformeres hurtigt til en særlig tidsfornemmelse - en følelse af at være både fuldstændig til stede og uden for selve tiden. Værket begynder med langsom, ekspressiv musik, der gradvist bliver hurtigere og mere intens, indtil barokmusikken bryder igennem mod værkets slutning.
- Værket er tilegnet Bjarke Mogensen.
- Martin Lohse 2026
Work Description
Work inspired by the rhythmic interplay of ocean waves, exploring a dual state of presence and timelessness
- Instrumentation: 0 0 0 0 - 2 6(3cnt, 2tpt, flhn) 3(2tbn, euph) 2 - timp(vib), mar - acc
- Version Text: The work is a reinstrumentation of Concerto Piccolo II for accordion and symphony orchestra, dedicated to Bjarke Mogensen","March 2026","Bjarke Mogensen and Prinsens Musikkorps","","ad_passum_acc-brass-perc","(pdf/zip-file)","(pdf)","orchestral music","","30","17","54","","","","","""Det døende Barn","","4","1998","8 September 1998","5","Martin Lohse","3.1.1","https://online.fliphtml5.com/forz/ijgv","§","","","SATB","Original version for SATB choir (1998)","Setting of Hans Christian Andersen's poignant poem, capturing a child's transition from a cold reality into a celestial dreamscape","==Poem==
In Danish
- Det døende Barn
- Det døende Barn
- Moder, jeg er træt, nu vil jeg sove,
Lad mig ved dit Hjerte slumre ind;
Græd dog ei, det maa Du først mig love,
Thi din Taare brænder paa min Kind.
Her er koldt og ude Stormen truer,
Men i Drømme, der er Alt saa smukt,
Og de søde Englebørn jeg skuer,
Naar jeg har det trætte Øie lukt. - Moder, seer Du Englen ved min Side?
Hører Du den deilige Musik?
See, han har to Vinger smukke hvide,
Dem han sikkert af vor Herre fik;
Grønt og Guult og Rødt for Øiet svæver,
Det er Blomster Engelen udstrøer!
Faaer jeg ogsaa Vinger mens jeg lever,
Eller, Moder, faaer jeg naar jeg døer? - Hvorfor trykker saa Du mine Hænder?
Hvorfor lægger Du din Kind til min?
Den er vaad, og dog som Ild den brænder,
Moder, jeg vil altid være din!
Men saa maa Du ikke længer sukke,
Græder Du, saa græder jeg med Dig.
O, jeg er saa træt! - maa Øiet lukke -
- Moder - see! nu kysser Englen mig!
- H. C. Andersen 1825
In English
- The Dying Child
- Mother, I'm tired, and I would fain be sleeping;
Let me repose upon thy bosom sick;
But promise me that thou wilt leave off weeping,
Because thy tears fall hot upon my cheek.
Here it is cold: the tempest raveth madly;
But in my dreams all is so wondrous bright;
I see the angel-children smiling gladly,
When from my weary eyes I shut out light. - Mother, one stands beside me now! and, listen!
Dost thou not hear the music's sweet accord?
See how his white wings beautifully glisten?
Surely those wings were given him by the Lord!
Green, gold, and red, are floating all around me;
They are the flowers the angel scattereth.
Should I have also wings while life has bound me?
Or, mother, are they given alone in death? - Why dost thou clasp me as if I were going?
Why dost thou press thy cheek so unto mine?
Thy cheek is hot, and yet thy tears are flowing!
I will, dear mother, will be always thine!
Do not sigh thus - it marreth my reposing;
But if thou weep, then I must weep with thee!
Ah, I am tired - my weary eyes are closing -
Look, mother, look! the angel kisseth me!
- Translation Mary Howith around 1850
Reference www.gutenberg.org
","17 September 1998"," Ars Nova"," Rundetårn, Copenhagen","det-doende-barn_-_choir","","","vocal music","","","","","","","","","""Image Balancantes","","22","2004","12 August 2004","11.5","Martin Lohse","2.6","https://online.fliphtml5.com/forz/yffr","§","Copenhagen Summer Festival 2017","","cl(bcl), vn, vc, pno","","Musical reflections of time swaying on the edge of memory, characterized by shifting textures and recurring patterns","===In English===
- Image Balancantes
- Moments
- tossing
- of times
- lost and found
Martin Lohse 31/7-2004
In Danish
- Image Balancantes
- Billeder
- af tid
- I nuet
- vuggende
- på kanten
- af erindring
Martin Lohse 31/7-2004
Work Description
Musical reflections of time swaying on the edge of memory, characterized by shifting textures and recurring patterns
- Instrumentation: cl, vn, vc, pno","20 September 2004","Ensemble Nordlys","Warsaw Autumn 2004, Olympic Centre, Warsaw, Polen","image_balancantes_messiaen_quartet","(pdf)","","chamber music","","","","","","","","Image Balancantes","y""Image Balancantes","","22b","2004/2013","20 March 2013","11.5","Martin Lohse","2.6","https://online.fliphtml5.com/forz/nhwj","§","","","vn, va, vc, pno","Arrangement of original Image Balancantes for clarinet, violin, cello and piano","Musical reflections of time swaying on the edge of memory, characterized by shifting textures and recurring patterns","This is an arrangement of Image Balancantes (clarinet, violin, cello and piano)
Programnote in English
- Image Balancantes
- Moments
- tossing
- of times
- lost and found
Martin Lohse 31/7-2004
Program note in Danish
- Image Balancantes
- Billeder
- af tid
- I nuet
- vuggende
- på kanten
- af erindring
Martin Lohse 31/7-2004
Work Description
Musical reflections of time swaying on the edge of memory, characterized by shifting textures and recurring patterns
- Instrumentation: vn, va, vc, pno
- Version Text: Arrangement of original Image Balancantes for clarinet, violin, cello and piano","26 June 2013","PAIAN","Nafplion Festival 2013, Vouleftiko, Nafplion, Greece","image_balancantes_piano_quartet","(pdf)","","chamber music","","","","","","","","Image Balancantes","y""Menuetto","","27b.5","2008/2014","25 June 2014","6.5","Martin Lohse","2.9","https://online.fliphtml5.com/forz/ukho","§","Recital in Castelfidardo, Italy","","acc","Final solo version (2014) of a movement originally from 8 Momenti Mobile (2008) for saxophone quartet","Features "rhythm across harmony" using sequences of triads, marking the transition from a traditional minuet into the development of the composer's later major-third based mobile technique","===In English===
- Menuetto (2008 - 14)
- Accordion solo
- The score is in exact pitch, and the proposed registers can be changed according to the room and instrument.
- Menuetto is dedicated to Bjarke Mogensen. The work has a long history: it originated as a minuet movement in 8 Momenti Mobile (2008) for saxophone quartet, was recomposed in 5 Momenti Mobile (2013) for accordion duo and piano trio, and finally reached its current solo form in 2014.
- Along with the arrangement of Liszt’s Liebestraum (2006), it is one of the first works to employ "rhythm across harmony." This technique here connects independent musical layers through a simple sequence of triads, a method that later evolved into the "mobile" technique based on major thirds.
- Martin Lohse 2014
In Danish
- Menuetto (2008 - 14)
- Akkordionsolo
- Partituret er i klingende notation (exact pitch), og de noterede registre kan ændres efter rum og instrument.
- Menuetto er tilegnet Bjarke Mogensen og har gennemgået en længere udvikling: Det startede som en menuetsats i saxofonkvartetten 8 Momenti Mobile (2008), blev rekomponeret i 5 Momenti Mobile (2013) for akkordionduo og klavertrio, for til sidst at finde sin endelige form for soloakkordion i 2014.
- Værket er, sammen med arrangementet af Liszts Liebestraum (2006), et af de første værker, hvor jeg benytter ”rytme på tværs af harmonik”. Her forbindes de uafhængige musikalske lag af en simpel sekvens af treklange – en fremgangsmåde, der senere udviklede sig til mobile-teknikken baseret på store tertser.
- Martin Lohse 2014","","","","menuetto_-_acc","","","solo work","","","","","","","https://www.nkoda.com/work?ref=577ef4cc-ecb9-497f-8d64-5a1fafc3b74d","5 Momenti Mobile, Menuetto","y""Menuetto","","27.5c","2015","7 January 2015","6.5","Martin Lohse","2.8","","","","","2 gtr","Arrangement for guitar duo of the solo accordion work, created in collaboration with the Copenhagen Guitar Duo - score not yet available","Work utilizing the 'rhythm across harmony' technique where independent musical layers are connected by a sequence of major thirds","===In English===
- Menuetto (2014)
- Guitar duo
- Menuetto is an arrangement for guitar duo of the work for solo accordion, created by the Copenhagen Guitar Duo (Allan Sjølin and Martin Buono) in close collaboration with the composer.
- Menuetto (2008-2014) is dedicated to Bjarke Mogensen.
- The work has a long history: it originated as a minuet movement in 8 Momenti Mobile (2008) for saxophone quartet, was recomposed in 5 Momenti Mobile (2013) for accordion duo and piano trio, and finally found its current form for solo accordion in 2014.
- Alongside the arrangement of Liszt’s Liebestraum (2006) for clarinet, violin, cello, and piano, it is one of the first works to utilize the 'rhythm across harmony' technique. This approach later evolved into the 'mobile' composition technique, where distinct musical layers - independent in time and rhythm - are connected by a simple sequence of major thirds.
- Martin Lohse 2014
In Danish
- Menuetto (2014)
- Guitarduo
- Menuetto er et arrangement for guitarduo af værket for soloakkordeon, udarbejdet af Copenhagen Guitar Duo (Allan Sjølin og Martin Buono) i tæt samarbejde med komponisten.
- Menuetto (2008-2014) er tilegnet Bjarke Mogensen.
- Værket har en længere forhistorie: det begyndte som en menuet-sats i saxofonkvartetten 8 Momenti Mobile (2008), blev rekomponeret i 5 Momenti Mobile (2013) for akkordeonduo og klavertrio, og fandt endelig sin nuværende form for soloakkordeon i 2014.
- Sammen med arrangementet af Liszts Liebestraum (2006) for klarinet, violin, cello og klaver er det et af de første værker, hvor teknikken 'rytme på tværs af harmonik' benyttes. Dette udviklede sig senere til kompositionsteknikken mobile, hvor forskellige musikalske lag, uafhængige i tid og rytme, forbindes af en simpel sekvens af store tertser.
- Martin Lohse 2014","2015","Copenhagen Guitar Duo","","","","","chamber work","","","","","","","","5 Momenti Mobile, Menuetto","""Utroligheds Frø","","15","2002","12 July 2002","4","Martin Lohse","3.1.1","https://online.fliphtml5.com/forz/qkrg","§","","","SATB","Original version for SATB choir (2002)","Choral setting of Ole Sarvig's poem, reflecting the transition from a frozen, desolate landscape to an inner "kernel of spring"","==Poem (in Danish)==
Utroligheds Frø
fra Frostsalme for to eller tre
Utroligheds Frø,
hvis lov var at dale til jorden og dø
og gemmes en tid,
da frosten er haardest, og jorden er hvid.
I billeders hær,
saa mange der faldt over have og skær!
De sover vel nu,
de blændes af vandet og sover endnu.
Her er der kun sne
og dræbende kulde og frysende vé
og rædselens raab
i dagenes skygger, som vogter vor daab.
- - -
I sjælenes aar
har vinteren dybest en kerne af vaar.
Og er du vor gud,
da skyder vi blade, da springer vi ud.
Da er du i os.
Da er vi din vinter-vej dybt gennem os
lig sommerens dag,
som døber i smerte og lader den bag.
- Ole Sarvig 1948","","","","utroligheds_froe_-_choir","","","vocal music","","","","","","","","Image Balancantes, 5 Momenti Mobile, Menuetto",""