Turn

Composer: Martin Lohse Year: 2011 Worknumber: W. 38 Category: Cat 2.9 (Solo) Duration: 12.5 min
Instrumentation: pno
Original version for piano solo dedicated to David Lau Magnussen

Performance Materials

Program Note

Turn I
•  Composed: 12 Aug 2011
•  Duration: app. 3:30 min
•  First performance: 14 Mar 2013 by David Lau Magnussen at Pulsar Festival, Studiescenen, Royal Danish Academy of Music

Turn II
•  Composed: 26 Oct 2012
•  Duration: app. 4:30 min
•  First performance: 9 June 2013 by David Lau Magnussen at Skt. Povls Church, Korsør, Denmark

Turn III
•  Composed: 8 Nov 2012
•  Duration: app. 4:15 min
•  First performance: 9 June 2013 by David Lau Magnussen at Skt. Povls Church, Korsør, Denmark

In English

Turn (2011 – 12)
Piano solo

Turn consists of three small pieces dedicated to the pianist David Lau Magnussen. They are studies for a later piano concerto, which all use the same material called Mobile II – a simple sequence of three major thirds that represents all the harmonic material in the works.

Turn I is fast and virtuosic with multiple tempos layered on top of each other. A lyrical theme in the middle of the movement is utilized in the rest of the work along with the material from the first part. Turn II is slow with repeating patterns, while Turn III returns to the expressive mode of the first movement.

The three parts can be performed individually or as a suite.

Mobile
Mobile is a compositional technique where multiple layers of music with independent tempos, meters, and styles are integrated into a recurring chordal pattern. These chords modulate slowly through all keys, resulting in a harmonic language with minimal dissonance.

The technique synthesizes several methods developed across earlier works:

1.  Continuous Modulation: A repeating sequence of chords that modulates from start to finish, creating a state of constant motion. This was first utilized in Haiku (1999) and further developed in In Liquid… (violin and piano) (2003) and Image Balancantes (2004).
2.  Simultaneous Layers: The use of multiple independent musical layers, which has been a primary element of the music since 2000.
3.  Rhythm Across Harmony: A principle where independent motives are played in individual tempos against the rhythm of the underlying chords. This was first explored in Smoke (2000), refined in Liebestraum (Liszt arrangement from 2005) and 8 Momenti Mobile (2008), and reached its definitive form in Concerto in Tempi (2010).


Martin Lohse 2013

In Danish

Turn (2011 – 12)
Klaversolo

Turn består af tre små satser dedikeret til pianisten David Lau Magnussen. De er studier til en senere klaverkoncert, som alle bruger det samme materiale, Mobile II – en simpel sekvens af tre store tertser, der udgør alt det harmoniske materiale i værkerne.

Turn I er hurtig og virtuos med adskillige tempoer lagt oven på hinanden. Et lyrisk tema i midten af satsen bruges i resten af værket sammen med materialet fra den første del. Turn II er langsom med gentagne mønstre, mens Turn III vender tilbage til det ekspressive udtryk fra den første sats.

Mobile
En teknik hvor forskellige lag af musik i hver deres tempo, metrik og musikalsk stil kombineres i et simpelt mønster af akkorder, som langsomt modulerer igennem alle tonearter i en uendelig sekvens, skabende en musik med ingen eller ganske få dissonanser.

Martin Lohse 2013

Performances

First Performance

Etydes – played and dansed
Wikipedia:Royal Danish Academy of Music|Royal Danish Academy of Music - Study Scene, Copenhagen, Denmark
David Lau Magnussen
Thursday 14 March 2013

Other Performances

Please note: This is not a complete list. It includes live performances and radio broadcasts across all versions of the work. While the archive is highly comprehensive for earlier years, recent entries show only a fraction of the 500-1.000 annual performances across the composer's complete catalog, reflecting only those events reported to and logged by the composer.

[+ ] Show remaining 1 performances

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