Moto Immoto (accordion, violin, cello and contrabass)

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Quartet by Martin Lohse

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File:Moto Immoto (accordion, violin, cello and contrabass).pdf

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Recording

Live Recording

Moto Immoto
First performance by Bjarke Mogensen and Holbæk Ensemblet in Elværket, Holbæk 2011

Short version for accordion duo

Moto Immoto
First performance by Mythos from Hans Egedes Kirke, 6 February, 2011

Version for sinfonietta

Moto Immoto
Collage de Temps

CD release with works for piano, sinfonietta and chamber ensemble performed by David Lau Magnussen,The Danish Chamber Players, Bjarke Mogensen, Claudio Jacomucci, Christina Åstrand, Toke Møldrup and conducter: Casper Schreiber,
Release date: 28 Marts 2018
Record label: Dacapo Records: 8.226590

Versions

The work is orchestrated in 7 versions.

Work Year
Moto Immoto (fixed media) 2009
Moto Immoto (accordion duo) 2009/2010
Moto Immoto (accordion) 2009/2011
Moto Immoto (accordion duo, short version) 2009/2011
Moto Immoto (accordion, violin, cello and contrabass) 2009/2011
Moto Immoto (sinfonietta) 2009/2016
Moto Immoto (symphony orchestra, second edition) 2009/2018


Info

Composer Martin Lohse
Title Moto Immoto
Subtitle Mobile I

Work number W.35e
Composition year 2009/2011

Movements 1
Duration 11 min

Genre chamber music
Number of instruments 4
Instrumentation accordion, violin, cello and contrabass

Score notation computer (Sibelius)
Pages 23
Free score yes

First performance 14 May 2011

by Holbæk Ensemblet
place Elværket, Holbæk, Denmark

Recording type live

Musical styles and elements modal, meditative, expressive



Program note

In English

Moto Immoto (2009/2011)
Accordion, violin, cello and contrabass
Moto Immoto (motion in the motionless) is a quartet exploring motion in the motionless and an irreversible feeling of lost time and sorrow. Originally composed in 2009 as an electroacoustic piece, it has been rearranged for several different ensembles; this version for quartet was completed in 2011.
The work is built upon a pattern of six major thirds in 5/4 time that slowly cycles through all keys, forming the harmonic basis for the entire piece. While insistent figures in the accordion and strings create a rhythmic and expressive counterpoint to the slow-moving chords, the work itself maintains its underlying transcendental character.
Mobile
Mobile is a compositional technique where multiple layers of music with independent tempos, meters, and styles are integrated into a recurring chordal pattern. These chords modulate slowly through all keys, resulting in a harmonic language with minimal dissonance.
The technique synthesizes several methods developed across earlier works:
  1. Continuous Modulation: A repeating sequence of chords that modulates from start to finish, creating a state of constant motion. This was first utilized in Haiku (1999) and further developed in In Liquid... (violin and piano) (2003) and Image Balancantes (2004).
  2. Simultaneous Layers: The use of multiple independent musical layers, which has been a primary element of the music since 2000.
  3. Rhythm Across Harmony: A principle where independent motives are played in individual tempos against the rhythm of the underlying chords. This was first explored in Smoke (2000), refined in Liebestraum (Liszt arrangement from 2005) and 8 Momenti Mobile (2008), and reached its definitive form in Concerto in Tempi (2010).
Martin Lohse 2011

In Danish

Moto Immoto (2009/2011)
Akkordeon, violin, cello og kontrabas
Moto Immoto (bevægelse i det ubevægelige) er en kvartet, der udforsker bevægelse i det ubevægelige og en uafvendelig følelse af tabt tid og sorg. Værket blev oprindeligt komponeret i 2009 som et elektroakustisk stykke og er senere arrangeret for flere forskellige besætninger. Udgaven for kvartet blev arrangeret i 2011.
Værket er bygget op omkring et simpelt mønster af seks store tertser i 5/4-takt, der bevæger sig gennem samtlige tonearter og danner det harmoniske grundlag for hele stykket. Selvom insisterende figurer i akkordeonet og strygerne skaber en rytmisk og ekspressiv kontrapunkt til de langsomme akkorder, bevarer værket sin underliggende transcendentale karakter.
Mobile
En teknik hvor forskellige lag af musik i hver deres tempo, metrik og musikalsk stil kombineres i et simpelt mønster af akkorder, som langsomt modulerer igennem alle tonearter i en uendelig sekvens, skabende en musik med ingen eller ganske få dissonanser.
Martin Lohse 2011

Work Description

Work exploring motion in the motionless and an irreversible feeling of lost time and sorrow

Instrumentation: acc, vn, vc, cb
Version Text: Quartet version, rearranged from the original 2009 electroacoustic version

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Performances

All versions of - Moto Immoto

Portrait concert with Benjamin de Murashkin and Martin Lohse
Studio Scene Royal Danish Academy of Music, Copenhagen, Denmark
Wednesday 7 September 2016, 19:30
... more info


Dacapo recording
Fuglsang Concert Hall, Toreby, Denmark
Wednesday 25 May 2016
... more info


Dacapo recording
Fuglsang Concert Hall, Toreby, Denmark
Tuesday 17 May 2016
... more info


Mythos - accordion duo
Rav Museet, Varde, Denmark
Sunday 7 April 2013
... more info


Mythos - accordion duo
Hørsholm Kirke, Hørsholm, Denmark
Tuesday 12 March 2013
... more info


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List of chamber music

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