Main Page
Next concert
Selected reviews
... A jumble of notes that unites and comes again, like circles of life that slowly grow and change. I found this work to be hypnotically beautiful.
Read full review
- 1 April 2024 - Raymond Tuttle
It is beautiful in a way that is not up for debate. It is shameless in its confession to a higher form of purity.
Read full review
- 12 July 2023 - Thomas Michelsen
Martin Lohse's "Echoes off Cliffs" was an electroacoustic tribute to Bornholm - and to the echo - that framed the eternally tantalizing question: Where does the sound go when it goes out?
Read full review
- 23 June 2021 - Andreo Michaelo Mielczarek
... Others are simply infinitely beautiful - for example, Martin Lohse's Ver. But all are also ambiguous, multifaceted, complex.
Read full review
- 5 April 2024 - Ivan Rod
Lohse's melodic and generously consonant polystylistic music is fashioned out of modules that are carefully combined and recombined into a warm, slightly melancholic post-minimalism, built upon deceptively complex textures.
...
This is a truly lovely new symphony that eloquently speaks an accessible language ...
Read full review
- 14 May 2020 - Joshua Cheek
... It takes considerable willpower not to rewind to the beginning when it finishes...
... Like the rest of Lohse’s works on the album, it is a delight.
Read full review
- 1 December 2018 - Nathan Faro
... The entrancing ebb-and-flow of Lohse's Ver pulls the listener into its lyrical world immediately and proves a wonderful showcase for the duo's precise fretwork.
Read full review
- 10 May 2024 - Textura
... Fresh music, contemporary but not excessively "intellectual" and not at all hermetic, indeed sincere and communicative, often captivating, which show strong roots with the great Western "classical" tradition; a happy combination, just like in Scarlatti, of lightness and playfulness with passion and solemnity.
... Music that surely reconciles the audience with contemporary "cultured" music and that undoubtedly enrichs the specific repertoire for the accordion.
Read full review
- 29 March 2018 - Alessandro Mugnoz
We’re not often taken aback in the Review Corner (at least not in a good way) but such an event has occurred with this new programme of accordion music...
...The best recommendation is that we managed to write this down fairly quickly, being immediately taken with it, but have contained playing the CD since (and on and on). A delightful collection of music.
Read full review
- 20 September 2018 - Jerobear
The mobiles are breathlessly intense as they alternate between mournful and optimistic with equal parts chain dance and black melancholy.
Read full review
- 2018 - Henrik Friis
Score and parts - link to listings of works with downloads
This official website includes
152
works by Martin Lohse:
84
compositions,
43 versions of these works, as well as
4
lost works,
14
works that has been redrawn and
7 arrangements by Martin Lohse
Martin Lohse
Classical composer, poet and visual artist born in Copenhagen, Denmark 1971.
“In my music, I try to encircle small musical moments and atmospheres, which can timeless progress and unfold. The collocation and collision of a “pure” and clear music with a disintegrated and multi-layered music is one of the main characteristic of my music. In the heart, the music often emanate a harmonic and melodic reminiscence of past experiences in glints or longer periods which combined with a floating sensation (accelerando, decelerando etc.) creates a music with the organic form as one of its main foundations.”
In the last years his music has evolved to a more pure expression, involving very simple patterns of successive major thirds. He has called the technique Mobile, and it was developed around 2009 by combining polystylistic elements with a simple repeating sequence of chords, sometimes creating a simple nearly transcendental music and at other times creating a cacophonous collection of minimalistic, romantic and baroque music on top of each other, all in different tempos but with no or very few dissonances.
In his visual art he is deeply inspired by the abstract art community COBRA which existed in Denmark from 1948-51 and by the American expressive art of Jackson Pollock etc. At the moment he use a scraping technique developed by Gerhard Richter, making paintings where the viewer can look through several layers of paint, and thereby creating the illusion of several events in time existing together at the same time.
Mobile II (2012) 80x60, oil on canvas
Mobile III (2012) 80x60, oil on canvas
Fall I (2011) 80x60, oil on canvas
Fall II (2011) 80x60, oil on canvas
- privately owned -
Fall IV (2011) 80x60, oil on canvas
- privately owned -
... further paintings and info